While many of us earnestly research and write of ancestors long buried, the family history writer can leave a legacy of stories to future generations through memoirs and oral history woven among the dry facts of name, place and time. Years ago, I began started this work as a genealogist. However, it was soon apparent to me that more depth of my family’s history was what I most desired from my efforts. So my research evolved into the work of a family historian.
My own experience at family research has been a challenge because my remote ancestors left few records detailing their lives. Only those born in the 20th century acquired literacy. One of my ancestral lines eschewed the broader community of city or town, remaining isolated along the Blue Ridge Mountains of the western Carolinas, where the outside world ever ventured. I can use generalities from circumstantial evidence to imagine the content of the daily lives of these ancestors, but I cannot know it. Thus, their stories are necessarily perforated by gaps within record, the remainder being imbued with uncertainty and disclaimers.
However, from my long interest in oral history and its methodologies, I recognize that I can give my descendants a first person account of their ancestors as told in the ancestor’s voice or the voice of an eye witness. So over the past several years, I have collected the “his” stories and “her” stories of my generation. Slowly, I hope to compile these accounts into a family’s journey through generations. I do this because I discovered during the process of family oral history research what it means for me to be the person that I am. I would like to teach my children how to understand themselves through their origins.
Not all these accounts, whether first person or memoirs, are easy for me to write. Facts are easy enough to collect, but the interpretation that weaves these facts coherently into an understanding of events are difficult and sometimes painful. The story about my maternal grandmother is one example. So much of her life was entwined with my mother’s adult life. It was difficult to write about my mom as a major character in Mammaw’s story. Each time I wrote “Mother” or “Mom,” I could feel my grief surface and my objectivity as an historian dissolve with the tears. When I began using my mom’s given name, the one by which my grandmother used, I was able to distance myself enough to allow Mammaw’s voice to more clearly come through. It helped me enormously to examine that period from someone else’s perspective. It added dimension to my knowledge and understanding of both women who were so prominent in my life.
An earlier version of Mammaw’s story was originally published in The Dallas Journal (2007).